Tag Archives: aquatic bioacoustics

YARRA RIVER LISTENING

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Yarra River Terrace & Federation Square, Melbourne

Monday 8th – Sunday 14th Feburary // 9:00am – 11:00pm

River Listening is launching in Melbourne, Australia during Pause Fest 2016, a catalyst for innovation, a uniter of industries and a platform for the future. Six years ago, Pause’s founder George Hedon saw an opportunity to start bringing together a new breed of thinkers and Pause Fest is now established as a major international event for those working at the intersection of creativity, technology and innovation.

Melbourne’s first River Listening installation explores the Yarra River. The installation can be experienced by walking along the Yarra River with a mobile device and listening to content that is geotagged along the river bank.

As you walk along the path, the sounds of river system are layered with sonic art and river stories for Pause delegates to discover between sessions. In addition to the Yarra soundscapes, this experience will stretch through Federation Square with a sound map connecting to other river systems across the world.

Listeners will hear Amazon river dolphins as they walk down the steps and pilgrims chanting on the banks of India’s Narmada River as they look towards the sky. These sonic discoveries will explore the value of sound and technology in contributing towards environmental awareness and engagement.

As the recent documentary Racing Extinction highlights: if we can bring the sights and sounds of the natural world to humans who would otherwise never think about them, they might be motivated and inspired to alter their habits enough to take action and respond to the ramifications of climate change.

To experience YARRA – RIVER LISTENING, Pause Fest delegates will download the free app Recho for this exclusive Pause Fest experience.

The soundscapes will evolve with new sounds added everyday during Pause Fest. Follow @LeahBarclay on twitter for live updates onsite and join our daily demo sessions and sound walks by using the #RiverListening hashtag on twitter.

River Listening Augmented Reality Sound Installation – Leah Barclay

Step 1. Download the free app Recho to your mobile device and connect your headphones.
Step 2. Walk towards the first sound, your phone will act as a compass and guide you through YARRA RIVER LISTENING
Step 4. When you approach the first sound it will play automatically, tap the sound once to open it.
Step 5. Wait for 3-5 seconds (to load) and stop to listen to the soundscape.

Leah Barclay
Leah Barclay – River Listening in Paris – COP21, December 2015

WIRA – Video Preview

WIRA is an interactive sound installation that reimagines the world beneath the surface of the Noosa River for Floating Land 2015 at the Noosa Regional Gallery in Queensland, Australia. The installation opened on August 27 and runs until October 18. This is one of the first major create outcomes from River Listening.

This video preview explains the project.

WIRA – Floating Land 2015 from Leah Barclay on Vimeo.

WIRA can be experienced by walking along the river with a smart phone and listening to content that is geotagged from Noosa Regional Gallery to the river mouth. As you walk along the river bank, the sounds of the Noosa River system are layered with sonic art, stories and soundscapes from Floating Land over the last ten years.

WIRA: Floating Land 2015

WIRA sound installation on Noosa River
WIRA sound installation on Noosa River

WIRA is an interactive sound installation that reimagines the world beneath the surface of the Noosa River for Floating Land 2015 at the Noosa Regional Gallery in Queensland, Australia. The installation opens on August 27 and runs until October 18.

WIRA reimagines the Noosa River in sound. The installation can be experienced by walking along the river with a smart phone and listening to content that is geotagged from Noosa Regional Gallery to the river mouth. As you walk along the river bank, the sounds of the Noosa River system are layered with sonic art, stories and soundscapes from Floating Land over the last ten years.

The theme of Floating Land 2015 is Reflect & Re-imagine. This theme provides an opportunity to pause and reconnect with the grassroots beginnings of this event, exploring the connection between art, the environment and the local community. Now in its 8th iteration Floating Land, an international event celebrating art and the environment. In 2015 Floating Land will celebrate artworks, artists and locations involved in previous Floating Land events.

recho-logo

To experience WIRA download the free app Recho to your iPhone or iPad and start outside Noosa Regional Gallery (maps are available inside the gallery). The installation is best experienced wearing headphones. Those without access to a smart phone can listen to the soundscapes inside Noosa Regional Gallery.

Visit www.leahbarclay.com/wira for further information.

Six Degrees of Separation Exhibition

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The ”Six Degrees of Separation” Exhibition at the Gympie Regional Gallery invited a select group of artists to explore climate change and environmental art. Leah Barclay was invited to showcase the latest installation from River Listening.

Key Public Events:

16 July – 15 August, Exhibition featuring River Listening

The River Listening installation is presented as a immersive multi-channel listening space where listeners can lie down immersed in sound with a river bed floating above their heads.

August 11th, 1pm, River Listening Artist Talk with Dr. Leah Barclay (also streaming live on Periscope)

August 15th, “Future Communities” Symposium
6pm at the Gympie Regional Gallery

How will climate change effect us?
What might future communities look like?
How can we be prepared for the future?

Join guest speakers Dr Marcus Bussey, Dr Leah Barclay, Dr Tony Fry and Zela Bissett, when these questions and more will be raised at this event held in conjunction with the exhibition “Six Degrees of Separation”, where twelve artists have responded to issues of climate change, whether real or perceived, in a variety of visual and auditory mediums.

River Listening (2015) Dr. Leah Barclay
Interactive multi-channel sound installation

River Listening is an interdisciplinary collaboration between Dr. Leah Barclay and the Australian Rivers Institute that explores the creative possibilities of aquatic bioacoustics and the potential for new approaches in the conservation of global river systems.

The project involves listening labs, field recording, sound maps, performances and installations to experiment with virtual technologies and community engagement in understanding river health and aquatic biodiversity.

This immersive installation draws on hydrophone (underwater) recordings from the Mary River, Noosa River and Brisbane River in Queensland, Australia collected throughout 2014. The additional sonic material draws on fragments from Barclay’s previous rivers projects across Australia, Brazil, India, Korea, China and Europe. This includes the Amazon River Dolphin in central Brazil, water insects at dusk on the banks of the Pamba in southern India, snapping shrimp in Cambodia’s Tonlé Sap Lake and explorations on London’s iconic Thames.

River Listening is a sound installation that reimagines the world beneath the surface of river systems. Aquatic environments we often think of as silent are actually dynamic acoustic ecologies that can help us understand the health of a river. This installation explores rivers as the lifeblood of communities and draws on ten years of collaborations with river systems across the world.

UNESCO Masterclass Series

In February 2015 a new UNESCO masterclass was delivered as a dynamic blended learning experience for the Asia-Pacific region. Titled “UNESCO Biosphere Reserves as Learning Laboratories for Sustainability”, the program involved immersive masterclasses occurring in Australian Biosphere Reserves accompanied by lectures streamed live online. The program was developed by Leah Barclay in collaboration with UNESCO and provided an opportunity to develop educational tools to bring River Listening into biosphere reserves internationally.

The network of UNESCO biosphere reserves across the Asia-Pacific region offers a unique opportunity for synthesizing experiences and sharing knowledge in response to the ramifications of climate change. This UNESCO masterclass showcased the local and global value of biosphere reserves as learning laboratories for sustainability. It highlighted a series of projects and innovative ideas uniting the conservation of biological and cultural diversity. The initial modules focused on local issues exploring community engagement, partnerships and projects, while the concluding modules focused on global issues across the Asia-Pacific and introduced the opportunities for knowledge sharing, virtual collaborations and the future possibilities of creative technology in responding to climate change.

This masterclass identified a clear need to develop accessible tools that enable biosphere reserves to share their experiences. The Asia-Pacific region could act as a catalyst in inspiring international biosphere reserves to take climate action and one of the most critical tools will be the ability to creatively and collaboratively share advice, ideas and actions from other communities who have had similar experiences. Through this masterclass, the value and future possibilities of UNESCO biosphere reserves was deeply explored to showcase how these sites could have a significant impact in shaping local, national and international climate adaptation responses by engaging communities in interdisciplinary projects.

Underpinning this project is the opportunity to harness the possibilities of mobile technology and community engagement to strengthen the network of UNESCO biosphere reserves. The blended learning experience of this masterclass was developed through a process of research and experimentation to form the most effective tool kit to facilitate accessible education programs. The masterclass proved that embracing the possibilities of this emerging technology will improve cooperation and awareness of the Asia Pacific Biosphere Reserve Network.

The immersive masterclasses in Australia were hosted in Great Sandy Biosphere Reserve in Queensland and Mornington Peninsula and Western Port Biosphere Reserve in Victoria. These sessions included interactive demonstrations on bioacoustics and creative approaches to ecosystem monitoring. The immersive programs were supported by weekly live streams throughout February and March hosted on www.biosherelab.org through Google+ and YouTube’s live streaming platform. The live stream included a realtime Q&A session that leveraged social media platforms such as twitter and encouraged participants to connect online. Biosphere Lab (www.biospherelab.org) was launched as the online platform to host this masterclass and was developed in collaboration with Dr Leah Barclay, UNESCO and CONNECT Asia. The masterclass content was created by Leah Barclay.

Projects featured throughout this masterclass included Floating Land, an interdisciplinary art event in the Noosa Biosphere Reserve, the international Balance-Unbalance initiative exploring the role of creativity in climate change and a wide spectrum of projects taking an innovative and accessible approach to environmental monitoring. These include Rainforest Connections (www.rfcx.org) a project that protects rainforests by transforming recycled cell-phones into autonomous, solar-powered listening devices that can monitor and pinpoint chainsaw activity at great distance, and Biosphere Soundscapes (www.biospheresoundscapes.org), a bioacoustics project exploring the changing soundscapes of UNESCO biosphere reserves through creativity and digital technology. The masterclass also introduced emerging projects such as Racing Extinction (www.racingextinction.com) a global movement involving a team of artists and activists exposing the hidden world of endangered species and the value of connecting people to the sights and sounds of the natural world in order to inspire climate action.

As technology continues to become more accessible there are exceptional opportunities to explore the possibilities and continue connecting communities. This masterclass was an example of exploring what is possible, and it has been successful in engaging people across the Asia-Pacific region and across the world. The participation was focused mainly through Australia, Indonesia, Cambodia, Vietnam and Malaysia, but the live streams also engaged participants from Mexico to New York and New Zealand to Spain. This masterclass was not about traditional education, but exploring new dynamic models that combine global engagement with immersive experiences and leverage new technologies that are rapidly becoming accessible.

This masterclass highlighted the benefits of technology, creativity, culture and community engagement. It proved that communities must feel inspired, connected and supported when responding to natural disasters and environmental changes. The network of Asia-Pacific biosphere reserves opens up the possibilities for connected communities who value culture and think creatively in response to climate change. Biosphere reserves are highly critical sites as we move towards a future of environmental uncertainty. As learning laboratories for sustainability, biosphere reserves present an incredible opportunity to connect communities across the world in responding to the greatest environmental challenges of our time.  Communities of biosphere reserves must be aware of their local and global value, engaged in participatory projects and inspired to take action. This masterclass demonstrated that technology, creativity, culture and participatory engagement has the capacity to inspire resilient communities and shape a sustainable future.

Hydrophone recording in the Noosa Biosphere Reserve
Hydrophone recording in the Noosa Biosphere Reserve

River Listening Cambodia

In December 2014 Leah Barclay was invited to three UNESCO Meetings in Cambodia

– The 8th Southeast Asia Biosphere Reserves Network (SeaBRnet) Meeting

– The 2nd Asia-Pacific Biosphere Reserves Networks (APBRN) Strategic Meeting

– Asia-Pacific Workshop on Strengthening Capacity for Management of Biosphere Reserves and Protected Areas

During these meetings Leah facilitated two sessions on UNESCO biosphere reserves and also presented on the future possibilities of the River Listening project. Leah hosted a informal River Listening lab during the a field trip in the Tonle Sap Biosphere Reserve.

Ly Sophanna listening to the Tonlé Sap river in Cambodia.
Ly Sophanna listening to the Tonlé Sap river in Cambodia.

Tonle Sap is the largest freshwater lake in Southeast Asia. It expands to 12,000 km at the peak of the rainy season and recedes to about 3,000 km in the dry season. The Tonle Sap great lake and its floodplain was internationally recognized as Tonle Sap Biosphere Reserve (TSBR) in 1997 by UNESCO under The Man and The Biosphere (MA) program and was formally designated by Royal Decree of the Royal Government of Cambodia in 2001. The bird sanctuary at the Prek Toal core area has been often called ‘the single most important breeding ground in Southeast Asia for globally threatened large water birds’. Of the three Biosphere core areas on the Tonle Sap Lake, Prek Toal is the most accessible from Siem Reap and the most popular place for bird watchers.

IMPORTANCE OF THE WATERBIRDS CONSERVATION

Prek Toal Core Area regularly supports more than 50,000 waterbirds, and at least six migratory waterbirds meet the 1% criteria for EAA Flyway Site Network nomination.

THREATS & CONSERVATION CONCERNS

Major threats in Tonle Sap Biosphere Reserve are:

– Overexploitation of fisheries and wildlife resources

– Agricultural Expansion: conversion of the flooded forest to agriculture

– Deforestation for firewood and agriculture in flooded forests and watersheds

– Changes in water levels by dam constructions in Mekong River – Increased industrial/urban pollution and agricultural runoff

– Human population increases and rising levels of poverty

– Introduction of non‐native species

– Climate Change

CONSERVATION ACTIONS

To address these threats, the Tonle Sap Environmental Management Project (TSEMP, 2002‐2007), later becoming the Tonle Sap Conservation Project (TSCP) (2005‐2011), were funded by ADB and GEF and the counterpart fund. The main goal of the projects is sustainable management and conservation of natural resources and biodiversity through several strategies and practices including environmental management projects, rural water supply and sanitation sector projects, sustainable livelihoods projects, and environmental information database establishment. Although the project ended, Department of Wetlands and Coastal Zones, General Department of Administration for Nature Conservation and Protection in Ministry of Environment have continued the activities of the project in cooperation with Wildlife Conservation Society (WCS). Four key activities are implemented, including protection of breeding colonies of large waterbirds, stream protection, awareness raising for local communities and school aged children, and community support through ecotourism which provides income revenue for local communities.